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Sunday, 25 November 2012

First glass painting class: fun!

My first glass painting class with Brian Waugh was last week, and I've been so busy I haven't had time to tell you about it. Well, first things first: it was really fun! Brian is an excellent teacher, and was very patient even when I was being especially thick.

Brian works out of a studio that hosts several other glass artists. The studio space also has ceramics folks, so I'm betting if I wanted to get my hand back into the ceramics game, I'd probably be able to. Which is nice to contemplate, although I have to say, what with learning this new aspect of glass art, my plate is pretty full!

So, on to the glass painting. Even though it was an all-day class, it became obvious very quickly that 8 hours only allowed us to scratch the top few snowflakes off the iceberg. I've got a lot to learn.

With glass painting, you do a firing for every different layer. It's really painstaking, kind of like painting with watercolours, only glass painting is a way more lengthy process.

First, you mix the powdered paint on a palette with water, then brush it on in a very thin layer as a base colour. You use a badger brush to smooth the paint and get an even matt finish.  After that dries, you fire it. After the first firing is done, you do the line work. This is like a line drawing, only done with a thin brush instead of a pencil or pen. Then that layer is fired.

Then you lay on successive layers of paint, glazes and enamels to create a 3-D effect. Each new layer has to be fired. Before you fire each layer, you use different types of brushes to take away dried paint on the highlighted areas, and it ends up looking kind of like really detailed etched copperplate prints.

You can see what I'm talking about in this one by Harry Clarke (a stained glass artist who I totally worship!)

"The Consecration of StMel, Bishop of Longford, by St. Patrick," by Harry Clarke. You can see the "etched" looking parts of the faces where a brush took dried paint away.

Fortunately Brian has a kiln that can do a firing in 1.5 - 2 hours, which I guess is unusual - most glass artists have kilns that can only do 1 firing a night, which seems bonkers to me. How does anyone get anything done??

I'm meeting up again with Brian in 2 weeks, and I have to have a design done for a larger piece by then. I'm working on drawing a concept I thought up, but so far it's only in the very early stages. If the finished piece comes out how it looks in my head, I'll be pretty happy. (But then, how often does that happen, really?)

Ah well. All you can do is your best. And it helps to have a good teacher! Pin It Now!

Tuesday, 30 October 2012

I've never been so excited about an all-day class in my life!

Oh my god, OH MY GOD, y'all. I am SO EXCITED!

Because he's the Best Husband in the World, The Scotsman is getting me a one-to-one, all-day stained glass painting class with the amazing stained glass artist Brian James Waugh. Here's one of his pieces. Check out the detail in the painting on her dress!

Detail, "Autumn" stained glass panel by Brian James Waugh



"Autumn" stained glass panel by Brian James Waugh

To say I'm excited would be the world's biggest understatement. My class with Mr. Waugh is in November.  I can't wait!!


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Sunday, 7 October 2012

Finished Octopus

Woo hooo! I finally finished the stained glass octopus that I've been working on since...let's see....JULY!?

I constructed the frame out of zinc came after The Scotsman very kindly bought me a hacksaw (you know it's love when he buys you a hacksaw!) and built me a perfect 45 degree angle mitre box. Because it was made to accommodate a wood saw, the woodworking mitre box that was available at B&Q had too wide a channel, which would have made for inexact cuts.

The zinc frame really makes the piece look more finished.
The zinc frame really makes the piece look more finished.

We've also been blessed with a rare sunny day here in Scotland, so some of the beautiful details in the antique glass are a bit more visible.
See the golden glints in the glass of the octopus' face?
See the golden glints in the glass of the octopus' face? This antique glass is amazing.
Another angle
Another angle


Sun shining through!
Sun shining through!

Those suckers on the tentacles took FOREVER!
Those suckers on the tentacles took FOREVER.

Although of course there are many things I feel I could have done better on this piece, I do have to say that I'm happy that I've finally started to achieve edges that are more straight than I managed before. My cutting and soldering skills are getting better, but I still have a long way to go.

Nevertheless, this was a really challenging piece that took a huge amount of work, and I'm pretty happy with the way it turned out. The next one will be better! Pin It Now!

Sunday, 30 September 2012

Abstract Schmoo Shapes

Hey, everyone! I was in The Netherlands last week to meet with some colleagues, and at one point during the meeting I was idly doodling on my pad (as I tend to do) and drew this little design of sort of Schmoo shapes in a row.

After the ridiculously intricate and time-consuming design of the octopus, I thought it would be nice to have a relatively simple design that I could finish in a weekend. To try and make the curves as smooth as possible, I laid it out in the free drafting software Solid Edge 2D.

So, here it is:

Schmoo shapes abstract stained glass



The piece is 12" x 12". Unfortunately it's not a very sunny day here in Scotland, so the colours aren't looking as bright in the pictures as they do in person. The purple bit is a deep, grape-y colour, and the orange is Spectrum wispy glass.

Here's another view:

Schmoo shapes abstract stained glass





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Sunday, 23 September 2012

I made a stained glass octopus!

UPDATE: You can see the finished, framed piece here.

Hi all! Good news: today I finished soldering the stained glass octopus that I've been working on for what seems like forever.

I still need to put the lead came "frame" around the outside edges, and The Scotsman has said that he'll construct an actual wood frame for the piece. I also need to do the final cleaning to get off the fingerprints and winkle the last of the flux out of all of the little nooks & crannies. The piece is about 16.5 x 11.7 in.

I was just so happy to get it (mostly) done that I wanted to post some pictures!


The stained glass octopus with some sun coming through it. I wish you could see it in person, it looks so much cooler than photos can show.
Here's the soldering in progress. It's all full of flux.


Stained glass octopus, reverse side. He kind of looks like he's doing the Safety Dance.

A little closer up on the tentacles
Tentacle action!
So, what do you think? Would you hang it in your window? Pin It Now!

Sunday, 16 September 2012

Octopus in copper

Hi everyone!

I've been working on the stained glass octopus all weekend, and I finally got all of the frillions of little suckers and pieces foiled. I'm waiting on delivery of some black glass paint to do the pupils of the octopus' eyes. (Right now I've coloured them in with black sharpie for demonstration purposes.)

Stained glass octopus: all coppered up!
All coppered up!
All those little suckers took FOREVER.
I'll be soldering and finishing the piece next weekend. Whew! This one took a while. Pin It Now!

Sunday, 9 September 2012

Octopus Progress: finally finished cutting!

Knock, knock.

Who's there?

Unfinished octopus.

Unfinished octopus who?

Unfinished octopus is happy to announce that despite being unfinished, at least all of those suckers are finally cut! Oh, my aching tentacles.

Hi everyone, yes, I'm still working on this never-ending stained glass octopus project. I did finally finish cutting it all out today, and even got a start on foiling.

If you recall, this is how the octopus was looking last week:



After being harangued by the Shouty Muse for the whole week, I decided the lower tentacle on the left needed to be longer, and speaking of creating multiple rods for my own back, I also decided that there needed to be another line of suckers on the left to balance the whole thing out. Why yes, I would like to do a whole lot more cutting on this piece! Thank you sir, may I have another!

New formula with 1/3 more suckers! 

So, yes. I finally finished cutting today. After much rejoicing at the prospect of not having to cut any more of those teeny little suckers, I got a start on foiling....all of those teeny little suckers.


Getting started on the copper foiling. This is going to take a while.

I really do love how the copper foil looks, though!

I knew this piece was going to take a long time, but I think I may have underestimated just how much time it was going to take. I sure do hope it turns out.

I think I'll name him Harold.

See you next time!


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